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    Imran Khan Uses A.I. To Give Victory Speech in Pakistan

    It was not the first time the technology had been used in Pakistan’s notably repressive election season, but this time it got the world’s attention.Imran Khan, Pakistan’s former prime minister, has spent the duration of the country’s electoral campaign in jail, disqualified from running in what experts have described as one of the least credible general elections in the country’s 76-year history.But from behind bars, he has been rallying his supporters in recent months with speeches that use artificial intelligence to replicate his voice, part of a tech-savvy strategy his party deployed to circumvent a crackdown by the military.And on Saturday, as official counts showed candidates aligned with his party, Pakistan Tehreek-e-Insaf, or P.T.I., winning the most seats in a surprise result that threw the country’s political system into chaos, it was Mr. Khan’s A.I. voice that declared victory.“I had full confidence that you would all come out to vote. You fulfilled my faith in you, and your massive turnout has stunned everybody,” the mellow, slightly robotic voice said in the minute-long video, which used historical images and footage of Mr. Khan and bore a disclaimer about its A.I. origins. The speech rejected the victory claim of Mr. Khan’s rival, Nawaz Sharif, and urged supporters to defend the win.As concerns grow about the use of artificial intelligence and its power to mislead, particularly in elections, Mr. Khan’s videos offer an example of how A.I. can work to circumvent suppression. But, experts say, they also increase fear about its potential dangers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Meta Calls for Industry Effort to Label A.I.-Generated Content

    The social network wants to promote standardized labels to help detect artificially created photo, video and audio material across its platforms.Last month at the World Economic Forum in Davos, Switzerland, Nick Clegg, president of global affairs at Meta, called a nascent effort to detect artificially generated content “the most urgent task” facing the tech industry today.On Tuesday, Mr. Clegg proposed a solution. Meta said it would promote technological standards that companies across the industry could use to recognize markers in photo, video and audio material that would signal that the content was generated using artificial intelligence.The standards could allow social media companies to quickly identify content generated with A.I. that has been posted to their platforms and allow them to add a label to that material. If adopted widely, the standards could help identify A.I.-generated content from companies like Google, OpenAI and Microsoft, Adobe, Midjourney and others that offer tools that allow people to quickly and easily create artificial posts.“While this is not a perfect answer, we did not want to let perfect be the enemy of the good,” Mr. Clegg said in an interview.He added that he hoped this effort would be a rallying cry for companies across the industry to adopt standards for detecting and signaling that content was artificial so that it would be simpler for all of them to recognize it.As the United States enters a presidential election year, industry watchers believe that A.I. tools will be widely used to post fake content to misinform voters. Over the past year, people have used A.I to create and spread fake videos of President Biden making false or inflammatory statements. The attorney general’s office in New Hampshire is also investigating a series of robocalls that appeared to employ an A.I.-generated voice of Mr. Biden that urged people not to vote in a recent primary.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    When Mark Zuckerberg can face US senators and claim the moral high ground, we’re through the looking glass | Marina Hyde

    Did you catch a clip of the tech CEOs in Washington this week? The Senate judiciary committee had summoned five CEOs to a hearing titled Big Tech and the Online Child Sexual Exploitation Crisis. There was Meta’s Mark Zuckerberg, TikTok’s Shou Zi Chew, Snapchat’s Evan Spiegel, Discord’s Jason Citron and X’s Linda Yaccarino – and a predictable vibe of “Senator, I’m a parent myself …” Listen, these moguls simply want to provide the tools to help families and friends connect with each other. Why must human misery and untold, tax-avoidant billions attend them at every turn?If you did see footage from the hearing, it was probably one of two moments of deliberately clippable news content. Ranking committee member Lindsey Graham addressed Zuckerberg with the words: “I know you don’t mean it to be so, but you have blood on your hands.” Well, ditto, Senator. “You have a product that is killing people,” continued Graham, who strangely has yet to make the same point to the makers of whichever brand of AR-15 he proudly owns, or indeed to the makers of the assault rifles responsible for another record high of US school shootings last year. Firearms fatalities are the number one cause of death among US children and teenagers, a fact the tech CEOs at this hearing politely declined to mention, because no one likes a whatabouterist. And after all, the point of these things is to just get through the posturing of politicians infinitely less powerful than you, then scoot back to behaving precisely as you were before. Zuckerberg was out of there in time to report bumper results and announce Meta’s first ever dividend on Thursday. At time of writing, its shares were soaring.Anyhow, if it wasn’t that clip, maybe it was the one of Zuckerberg being goaded by sedition fist-pumper Josh Hawley into apologising to those in the committee room audience who had lost children to suicide following exploitation on his platform. Thanks to some stagey prodding by Senator Hawley, who famously encouraged the mob on 6 January 2020 (before later being filmed running away from them after they stormed the Capitol), Zuckerberg turned round, stood up, and faced his audience of the bereaved. “I’m sorry for everything you’ve all gone through,” he began. Helpfully, a transcribed version of this off-the-cuff moment found its way into a Meta press release minutes after the event.View image in fullscreenSo I guess that was the hearing. “Tense”, “heated”, “stunning” – listen, if adjectival cliches were legislation, this exercise would have been something more than pointless. And yet, they’re not and it wasn’t. There really ought to be a genre name for this kind of performative busywork – the theatre of failure, perhaps.Other outcomes were once available. Back in 1994, the CEOs of seven big tobacco firms took their oaths before a Senate committee, then spouted a communal line that nicotine wasn’t addictive. Within two years, all seven had quit the tobacco industry – a development not unrelated to the fact that all seven were under investigation by the justice department for perjury. Those were different times, and not just because we probably wouldn’t slap them with the “seven dwarfs” moniker now. These days, you can’t escape the sense that old guys were shouting at Zuckerberg at a hearing six years ago, while he offered 2018’s variation on his favourite blandishment: “We know we have more work to do”. And you suspect they’ll be shouting at him again in five years’ time, when he will still know they have more work to do. “If you’re waiting on these guys to solve the problem,” sniffed Graham of the tech CEOs, “we’re gonna die waiting.” Again, the senator speaks of what he knows. There is always talk of legislation, but there is never really much legislation.There’s a line near the start of the movie version of Ready Player One, the cult dystopian book about a VR world that weirdly feels like the lodestar for Zuckerberg’s pivot towards the metaverse: “I was born in 2027,” explains the teenage protagonist, “after the corn syrup droughts, after the bandwidth riots … after people stopped trying to fix problems, and just tried to outlive them.” It was hard to watch any amount of Wednesday’s hearing – it’s hard to watch a lot of news about the intersection of politics and mega-business these days, in fact – and not feel we are in a very similar place. Few of the politicians giving it the hero act could be said to have left the world in a better place than the one in which they found it when they took office. A necrotic form of politics has gripped the Republican party in particular, and this is the vacuum in which they have been downgraded by corporations they don’t even understand, let alone have the will, foresight, or political skill to control.“Companies over countries,” as Mark Zuckerberg said a long time ago. This once-unformed thought becomes more realised all the time, with the Meta boss last year explaining that, “Increasingly, the real world is a combination of the physical world we inhabit and the digital world we are building.” The added irony is that the more the Lindsey Grahams fail the real world, the more people retreat further into the unregulated embrace of the worlds that the Mark Zuckerbergs run. It’s going to take so much more than the theatre of failure to solve it – but bad actors currently dominate the bill.
    Marina Hyde is a Guardian columnist More

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    Millennials Flock to Instagram to Share Pictures of Themselves at 21

    The generation that rose with smartphones and social media had a chance to look back this week.Most of the photos are slightly faded. The hairlines fuller. Some feature braces. Old friends. Sorority squats and college sweethearts. Caps and gowns. Laments about skinny jeans and other long lost trends.This week, Instagram stories the world over have been awash with nostalgic snapshots of youthful idealism — there have been at least 3.6 million shares, according a representative for Meta — as people post photos of themselves based on the prompt: “Everyone tap in. Let’s see you at 21.”The first post came from Damian Ruff, a 43-year-old Whole Foods employee based out of Mesa, Ariz. On Jan. 23, Mr. Ruff shared an image from a family trip to Mexico, wearing a tiny sombrero and drinking a Dos Equis. His mother sent him the photo, Mr. Ruff said in an interview. It was the first time they shared a beer together after he turned 21.“Not much has changed other than my gray hair. I see that person and go, ‘Ugh, you are such a child and have no idea,’” he said.Mr. Ruff created the shareable story template with the picture — a feature that Instagram introduced in 2021 but expanded in December — and watched it take off.“The amount of people that have been messaging me and adding me on Instagram out of nowhere, like people from around the world, has been crazy,” Mr. Ruff said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘I’m Singaporean’: TikTok CEO grilled by US Senator repeatedly about ties with China – video

    US senator Tom Cotton repeatedly asked TikTok’s Singaporean chief Shou Zi Chew about his ties with China and if he had ever belonged to the Chinese Communist party during a hearing over alleged online harms to children. It was the first appearance by Chew before lawmakers in the US since March, when the Chinese-owned short video app company faced harsh questions, including some suggesting the app was damaging children’s mental health and that user data could be passed on to China’s government. More

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    Universal Music Group Threatens to Remove Music From TikTok

    The company has been renegotiating its contract to license music with the social media site, which expires Wednesday.Universal Music Group, the world’s largest music company, said it would revoke the licenses for its vast catalog of songs from TikTok on Wednesday if the companies could not reach a new deal targeting artist compensation, artificial intelligence and other issues.In an open letter posted late Tuesday, Universal accused TikTok of responding to the company with “indifference, and then with intimidation,” creating a public squabble between the companies in the remaining hours of their existing contract. If the talks fail, TikTok users will be left without some of their favorite songs, including those by Taylor Swift, Bad Bunny, Alicia Keys and others.TikTok, owned by the Chinese company ByteDance, is indisputably one of the fastest growing and most popular social media platforms, with more than a billion users. The company says that includes about 150 million Americans. For a majority of TikTok users, music is an integral part of the experience, as it plays over the short clips that fill users’ feeds.TikTok’s current license for using music from Universal’s catalog expires on Wednesday, and in negotiating its renewal, Universal said it asked TikTok to address three specific issues, including artist compensation. Universal said TikTok had proposed paying Universal’s artists and songwriters a fraction of the rate that similar social media platforms pay. Universal accused TikTok of trying to build a music-based business “without paying fair value for the music.”Universal said that as negations continued, TikTok tried to “bully” the company into accepting a deal worth less than their previous deal, claiming it was far less than fair market value.As of Wednesday morning, it was unclear if talks between Universal and TikTok were ongoing or if they had broken down. Universal did not immediately respond to a request for further comment, and a spokeswoman for TikTok said the company had nothing to add beyond a statement shared on social media, in which it accused Universal of putting “their own greed above the interests” of their artists and songwriters.“Despite Universal’s false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent,” TikTok said in its statement. More

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    Minute-Long Soap Operas Are Here. Is America Ready?

    Popularized in China during the pandemic, ReelShort and other apps are hoping to bring minute-by-minute melodramas to the United States.When Albee Zhang received an offer to produce cheesy short-form features made for phones last spring, she was skeptical, and so, she declined.But the offers kept coming. Finally, Ms. Zhang, who has been a producer for 12 years, realized it could be a profitable new way of storytelling and said yes.Since last summer, she has produced two short-form features and is working on four more for several apps that are creating cookie-cutter content aimed at women.Think: Lifetime movie cut up into TikTok videos. Think: soap opera, but for the short attention span of the internet age.The biggest player in this new genre is ReelShort, an app that offers melodramatic content in minute-long, vertically shot episodes and is hoping to bring a successful formula established abroad to the United States by hooking millions of people on its short-form content.“The Double Life of My Billionaire Husband” is one of the many short features you can watch on ReelShort, an app that offers short dramatic content meant to be watched on phones. ReelShort

    @reelshortapp On your 18th birthday, the Moon Goddess granted you a RED wolf. She said a new journey awaited you, but there were also evil forces after your power… Called weak your whole life, what POWER could you possibly have?! #fyp #reelshort #binge #bingeworthy #bingewatching #obsessed #obsession #mustwatch #witch #alpha #werewolf #moon #wolfpack #booktok #luna #drama #film #movie #tiktok #tv #tvseries #shortclips #tvclips #filmtok #movietok #dramatok #romance #love #marriage #relationship #couple #dramatiktok #filmtiktok #movietiktoks #saturday #saturdayvibes #saturdaymood #saturdaymotivation #saturdayfeels #saturdayfeeling #weekend #weekendvibes ♬ original sound – ReelShort APP We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    That Spotify Daylist That Really ‘Gets’ You? It Was Written by A.I.

    The music-streaming platform’s new “daylist” feature serves users three personalized playlists a day, with titles ranging from quirky to bewildering.Have your Sunday scaries ever given way to a “Nervous Ocean Monday Morning”? Does the weekend truly begin on Friday, or on a “Wild and Free Chaotic Thursday Afternoon”? How should one dress for a “Paranormal Dark Cabaret Evening”?Those odd strings of words are titles of “daylists,” a newish offering from the music-streaming giant Spotify. The feature provides users three new algorithmically generated playlists a day, each with an ultra-specific title that practically begs to be screencapped and posted.The often baffling titles have recently captured the attention of social media, propelling the service to fresh popularity about four months after its September debut. In post after post, users seem amused by the feature’s ability to see right through them.“Spotify called me out a little bit with this daylist,” one X user wrote of her own playlist. Its title: “Midwest Emo Flannel Tuesday Early Morning.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More